The portfolio has been updated with a slightly overhauled info page and a few new images. They were all posted here already except for this one:

A Great Parade

I made this back in October for A5 Magazine’s Remix issue, taking inspiration from Sufjan Stevens’s All the Trees of the Field Will Clap Their Hands. I received my contributor’s copy in the mail on Friday, and it’s gorgeous, both the featured work and the design of the magazine itself. I don’t even want to call it a magazine; it’s more of an art book, really. Have a look for yourself (and click for a bigger view):

Please check out the (equally gorgeous) website, too; there’s a really cool gadget there which lets you check out everyone’s songs.

It was a bit of an impossible task to try and figure out what my favourite song even was (as the brief asked for a visual interpretation of it), but Sufjan Stevens’s Seven Swans is one of my very favourite albums, finely poised as it is between a sense of wonder and unsettlement, even fright. No song more so than All the Trees …, and I’d always got strong visuals off that one anyway, so – choice made.

The brief was to make a (square format) greyscale image, which prompted my decision to use ink for the drawing. Having now seen it printed I think it was the right decision after all, as it looks much more striking than a pencil drawing would have. I really wanted the shapes of the trees to look forbidding, which the stark black of the ink made possible. I did however lose some fluidity of line in the thinning branches towards the top. Ink and I are still not on the best of terms, and it’s hard not to get discouraged from practicing when pencil work generally yields results so much more satisfactory.

Anyway, this was a great experience all round, and I hope I’ll get to contribute again in the future. Thank you, Golan and Keren, for making it possible.

I’ve also been notified I’m a runner-up in Creative Quarterly 18, so my work should be up on their website in the … not too terribly distant future. I’ll be sure to point excitedly at it once there’s actually something to look at.

In the meantime, thanks for reading! I hope to update with some more recent work soon. One of the things I’d really like to do this year is to work with models more; I tend to have fairly concrete visuals in mind early on, so I think my work would benefit greatly from being able to shoot reference as I need it rather than trying to cobble it together from a dozen sources.

(I’m just not sure how to go about it with images like the one I’m working on right now – “Excuse me, lady, would you mind if your pre-adolescent child took his shirt off and held this rabid rooster for a moment?”

Yeah, no.)


I’m still working on the old Hollywood project and still planning to use one of these for a promo mailer. (Well, the back of a promo mailer – I think one of the Metamorphoses images should probably go on the front.) I set out to do floating illustrations with these, which has been challenging – slotting body parts together to create interesting shapes as well as finding natural-looking cut-off points while preventing the subject from looking like an amputee … yeah.

First one is done, but I think I may have to play around with the values on the second one some more. I kind of wish I’d gone with a different image of an older Marlon Brando now; I liked the idea of using Kurtz, but the effect isn’t quite what I had in mind.

So if I’m looking to establish a pattern here, I suppose I should be posting seven Paul Newmans next …

I’ve recently made an account at Society6, by the way, in case you have one too and want to say hi. I’ve been shopping around for a good place to offer prints of my work, and I’m hoping Society6 might be it. (Though if anyone knows of a place that does archival quality prints and doesn’t charge exorbitant amounts for international shipping, please do let me know!)


I’m currently working on a little project about old Hollywood actors, mostly because I want a few examples of likenesses in my portfolio … and old Hollywood actors happen to be really fun to draw. So I thought I’d post a sketchbook James Dean or three:

0911_jamesdean

Likenesses are so difficult, especially once you forsake signature poses and clothing. I think he’s recognisable, though? I’ll have to see how the whole thing comes together. (I’ve got a few Marlon Brandos as well, but I’ll save those for another day.)


up in arms

15Oct09

Somewhat disturbing wrapping paper? I’m honestly not entirely sure. Patterns are fun!

hands

hands4

hands3

hands2

hands1

hands5


forestfloor_finbig

Just an image that got stuck in my head a while back. It’s been ages since I last posted art and I’m almost a little anxious about posting this, so I hope it finds your favour.

The move to Berlin went smoothly and I’m really liking it here so far. I’ll be working on a few new pieces for my portfolio over the next couple of weeks, then doing some serious promoting. That’s the plan, anyway.

Now, coffee!